There are special religious programs conducted in the Maligawa on
every Full Moon Poya day where large numbers participate. Apart from
these daily, weekly and monthly ceremonies, there are four major
ceremonies held every year. They are;
(a) Aluth Sahal Mangailaya;
(b) Avurudu Mangallaya;
(c) Asala Mangallaya; and
(d) Karthika Mangallaya.
Of these the most important is the Asala Mangallaya. Asala, according
to the Sinhalese Calendar, is the month of July/ August This is the
months in which Kandy gets into a festive mood. Shop-keepers and
hoteliers pile up their stock to cater to the massive crowds that throng
the city. Maligawa and its premises are gaily decorated and are
illuminated with strings of lights, including the esplanade.
These lights burn throughout the night. A few days before the
Perahera, A Kapa, a sapling from a tree that sheds milky juice is
erected in each of the four Devales. On the 5th day, The Kumbal Perahera
begins and goes on for 10 consecutive nights when the sacred relic
casket is taken round the streets of Kandy accompanied by exotically
costumed dancers and drummers.

These dance forms vary. The most popular dance froms are the Ves,
Udekki, Pantheru, Naiyandi, Hewisi, Savang and Leekeli and the dancers
with years of experience reveal their dexterity in the performance of
their respective dances. The most colorful Perahera is last Randoli
Perahera which falls on the Asala Full Moon Poya day. On this day, at
the auspicious time the Perahera starts. The Diyawadana Nilame in full
traditional Kandyan dress will enter the inner chamber to receive the
Perahera Karanduwa containing the Buddha Relics. The Mahanayake Thero
will place the relics casket on the velvet cloth clonintricately
embroidered with gold and silver, held by both hands by the Nilame. As
he steps out of the chamber bearing the relics casket, the crowd with
one heart and one voice starts chanting sadhu, sadhu, sadhu and the
chorus will go on while the mini perahera begins. A red and yellow floor
spread (pavada) embroidered with appliqués of different hues is laid
before him, and two Temple functionaries will start strewing jasmine
flowers on it while the Diyawadana Nilame, carrying the casket, will
slowly tread over the pavada. In front of him two hand torches are held
by bearers while the kavikaramaduwa sing songs in praise of the Dalada.
The Nilame walks past the udamale and begin to descend the wooden
staircase and go past the digge and ambarawa and finally arrives the
place where the tusker is waiting to carry the casket.
The casket containing the Buddha Relics is always carried by a tusker
decorated with a is magnificent dress embedded with colored bulbs and
generally looks more colorful then the other caparisoned elephants
numbering over 75 who take part in the Perahera. The decorated ransivige
is placed on the back of this tusker and the relics casket is placed
inside it on, a velvet cushion, by the Nilame. After the Nilame and the
Mahanayake Thero strew jasmine flowers on the casket the tusker arrives
at the wahalkada followed by the Nilame.

The Perahera proper begins as the canon booms. Leading the n Perahera
is the band of whip crackers who crack their whips in rhythmic pattern
announcing it that the Perahera is on. Immediately following are two o
flag bearers carrying the two flags of the Sathara Korale (known as Ira
Kodiya) embossed with the symbols of the sun and the moon indicating the
wish that this Perahera be held until the sun and the moon last. Next
comes the peramunerala, attired in the traditional white dress and
riding a caparisoned elephant and carrying the sannasa, the royal
charter to hold the Perahera. Following him is the Gajanayake, A the
Maligawa official in charge of the elephants, elegantly dressed in
traditional Kandyan dress carrying the ankusaya the instrument by which
elephants are controlled.
The crowd is impatiently waiting to get a glimpse of the tusker
carrying the relics casket. It's a wonderful sight to see the tusker r
dressed in a decorated costume and brilliantly illuminated bearing the
ransivige in which the Perahera Karandawa rests on n velvet cushion,
with garlands of jasmine flowers hanging dangling above it and strings
of lights flickering all the time, tread over the pavada in easured
steps under the canopy held over the ransivie by 16 able bodied men with
poles and strings. As the karanduwa passes by, the crowd, stand up and
with their hands clasped together chanting sadhu, sadhu, sadhu thereby
paying their homage to the Sacred Tooth Relic.

The focus of the crowd then moves towards the Diyawadana Nilarne who,
attired in his traditional Kandyan constume, slowly walks by under a
large e embroidered umbrella held by a Vidane of the Maligawa and e
flanked by two troupes of Ves dancers whose performance is a lovely
sight to see.
Over 75 caparisoned elephants, 1000s of dancers and drummers,
hundreds of flag bearers and torchbearers take part in each of the
Peraheras. The Maligawa Perahera is followed by the Devala Peraheras in
the order of Natha, Vishnu, Kataragama and Pattini under the direction
of the respective Basnayake Nilames, who in their traditional Kandy an
costumes, take part in the Perahera.
After the day perahera, it is e customary for the Diyawadana Nilarne
and the Basnayake Nilames of the four devalas to report to Her
Excellency the' President that the Perahera was satisfactorily
Conducted.
As the Perahera draws to an end, the onlooker is apt to conclude that
it is nothing but sheer ingenuity of the Bliddhists from ancient times
to have organized the country's talents in arts and g crafts including
drumming and dancing into a cultural pageant of such magnitude and offer
it to '" the Sacred Tooth Relic of Lord Buddha as a form of veneration.M
Extracted from a article by Neranjan Wijeyeratne (Diyawadana Nilame)